Based on true events, If Looks Could Kill follows Faith (Stefanie Estes), a rookie cop eager to prove herself in law enforcement. She joins old flame Paul (Tomek Kosalka) on the force, but is soon crestfallen and grows increasingly troubled when Paul becomes romantically involved with Jessica (Summer Spiro). A lethal beauty obsessed with stardom, Jessica harbors a criminal past and a future sure to leave dead lovers in her wake. It’s classic good vs. evil in a twist and turn nail biter as Faith struggles to build a case against Jessica—before the body count reaches Paul. In this one-on-one interview, Stefanie reveals the challenges she faced in portraying a rookie cop and how she brought the character of Faith to life. Read more
Mallory Jansen and writer Jeffrey Bell talk about Agents of S.H.I.E.L.D. Now in its fourth season, the action-packed series has morphed from its Avengers roots to exploring themes like Ghost Rider and Life Model Decoys (LMDs). The series has added some interesting takes on comic book characters, like the Patriot and Nitro.
Swing Dancing started in the streets of Harlem in the late 20s and early 30s during the depression. Louis Armstrong provided the sound, Count Basie provided the beat, and Duke Ellis advised, “it don’t mean a thing if it ain’t got that swing.”
Ming-Na Wen and Jason O’Mara talk about their roles on Agents of Shield. Now in its fourth season, Agents of S.H.I.E.L.D. has morphed from its Avengers roots to exploring themes like Ghost Rider and Life Model Decoys (LMDs). The series has added some interesting takes on comic book characters, like the Patriot and Nitro. Ming-Na fans will like what she says about all the various Mays she’s had to act out.
Sarah Ramos and François Arnaud talk about their roles on Midnight, Texas. Based on True Blood author Charlaine Harris’ series of novels. the supernatural thriller features a vampire, witch, angel, hit woman and anyone looking to hide from the outside world. François Arnaud plays Manfred Bernardo, a charming, powerful psychic who can communicate with spirits. Sarah Ramos plays Creek, an aspiring writer with big dreams. Midnight, Texas premieres July 25th on NBC.
Parisa Fitz Henley and Dylan Bruce talk about their roles on Midnight Texas. Based on True Blood author Charlaine Harris’ series of novels. the supernatural thriller features a vampire, witch, angel, hit woman and anyone looking to hide from the outside world. Parisa Fitz-Henley, plays“Fiji,” a powerful witch who owns the local wiccan shop Dylan Bruce plays” Bobo,” a pawn shop owner who has everything the town needs. Midnight Texas premieres July 25th on NBC.
Jenna Elfman and Stephen Schneider talk about “Imaginary Mary,” a new TV series from the creative geniuses behind “The Goldbergs.” The live action/CGI hybrid comedy follows Alice, a single, public relations executive who draws on Mary, her imaginary childhood “friend” to help her deal with the new love of her life–a divorced father of three. Imaginary Mary can be seen on Tuesdays at 9:30/8:30c on ABC.
Drawing a record-setting 80,000 attendees, the 37th annual Natural Products Expo West & Engredea has grown to become the world’s largest natural, organic and healthy products event.
Over 3,100 exhibiting companies, including more than 500 first-time exhibitors showcased their products during the five-day show from March 9-13 at the Anaheim Convention Center. The event not only filled two and a half floors of the Convention Center, but also spilled over into the Anaheim Marriott Hotel for the first time.
First released in theaters over 33 years ago, The Never-Ending Story still has a huge following. Directed by Wolfgang Peterson, the film catapulted its child star Tami Stronach to stardom and became a global hit, earning over $100 million worldwide. Today, Tami’s Paper Canoe Company produces ‘family friendly’ work similar to Never-Ending Story. In this one-on-one interview, Tami fondly recalls her role as the Child-like Empress in her breakout role, and she reveals the many new creative outlets she continues to explore as a talented entertainer.
How did you get the role of the Child Empress in Never Ending Story?
Tami Stronach: I was doing a lot of acting and dancing in local community theaters. I attended an acting school in San Francisco. We were doing various plays in different schools and Anna Gross, the casting agent for Never Ending Story, was in town looking for an actress for the role. Coincidentally, Anna just happened to be friends with my acting teacher at the time. She came into our acting class and asked me if I wanted to audition for the role in this new film. I treated it as any local school audition and had no idea I’d be participating in a major project of this scope.
It sounds like you were already busy doing lots of performance art.
Tami: I loved acting and dancing from very early on. I was always happy in that context. I kind of drowned myself in those activities.
The film has delighted millions of children and parents over the years. Do you still get feedback from your fans?
Tami: I do. I’ll be honest with you, for the longest time, I wasn’t really focusing on the letters and emails. I came to New York as a young person to pursue a career as a dancer. At that time, I didn’t feel that Never Ending Story was something that would give me a leg up in the field I was trying to enter. So I kind of distanced myself from it and focused more on live performance art and dancing. I read the letters back then, but I was a starving artist working 12-hour days, so I didn’t really have time to sit down and write people back. But recently with the birth of my daughter, everything shifted and I founded Paper Canoe Company to create family-oriented content. It brought me back to my roots of family entertainment, which is really what the Never Ending Story was.
Why do you think audiences around the world have responded and continue to respond to Never Ending Story?
Tami: I think it’s the theme of the story. It’s a fun movie and visually beautiful. It has so much whimsy. But beyond that, it’s also kind of a deep film with an urgent message. It shows that through imagination and trusting your heart, there’s the possibility of building better worlds. I think that reality can beat us into submission. We need to trust our imagination, to believe that something new can be created, something that opens a door to new vistas.
So you’re also doing a lot of dancing. What made you segue into that realm of creative expression?
Tami: After Never Ending Story became far more successful than we imagined, being a celebrity at that age was really overwhelming. I never wanted to walk away from performing. It’s in my DNA. But at the time, I didn’t want to choose celebrity as a lifestyle. For me, dance was a way of staying creative without the pitfalls of being a child celebrity. But now as an adult, I see that celebrity can be a wonderfully powerful way to build connections with people. So viewed through that lens, I really have a very different perspective.
So what inspired you to create the Paper Canoe Company? And what can you tell us about the dark comedy, Light?
Tami: With Paper Canoe, I’m putting all the things I’m passionate about under a single umbrella. I had this diverse life that included acting, dancing and singing—even doing a POP album when I was a little older. Now I want to create family content that connects with kids, families and people who loved Never Ending Story, so that parents will have something magical to enrich their kids’ childhood. Last year, we created two theater shows and an album. Among these were the dark comedy called Light, and the folk rock opera, Beanstalk Jack. The joy is that little kids are still at the age where reality and fantasy are still kind of blurred for them.
Can you tell us more about the folk rock opera, Beanstalk Jack?
Tami: It’s the third project created by Paper Canoe and we’ll be developing it into a full theater show. It’s a concert because it tells the story all through music. We’ll be adding some costumes and theatrical elements, so it becomes kind of a concert play. We wanted to take a story that’s so iconic and make it relevant to kids and families today. So we put a bit of spin on the original story. I use my daughter and her friends as sort of a mini focus group to test out if something works or not. Ultimately, I came up with the idea of having Jack defeat the Giant a different way. Our message is that being happy and doing what you love is the ultimate triumph over anything dark.
Will Beanstalk Jack ever be produced as a video for kids and parents to watch at home?
Tami: We’re developing these projects in a variety of ways. Beanstalk Jack is on sale right now on Bandcamp, iTunes, Spotify and others, so you can by the CD. We also want to do some live streaming of upcoming concerts, which we’ll have on our website and available for download. I’m making some music videos for the shows, which will bring my dance background into it.
And what are your plans for Light?
Tami: We’re going to turn it into a graphic novel. I know it will come alive in that medium because the particular world we’ve created lends itself to pictures. We’re thinking about moving ourselves into TV and film, and I think Light would make a great film.
I understand you’re now a big Comic-con fan.
Tami: Attending Comic-con made me realize how really special Never Ending Story was, to have all these people who care so much about this film. So this year, I’m making a point of returning to Comic-con, hugging people, shaking their hands and enjoying this special connection with those who share my love for the film. I now make it a point to answer all my fan mail. I’m connecting with people on Twitter and other social media. It’s kind of a whole new chapter for me and I’m really enjoying it.
Will you be showcasing any of these projects at Comic-con?
Tami: I’ll do interviews. I’m a huge fan of Stranger Things. At the last Comic-con, I got to interview Millie Bobby Brown about being a young actress and we talked about my Paper Canoe projects. So at our booth, we’d like to have the graphic novel, Light and other Paper Canoe projects. I’ve started reading scripts again and I’m looking at coming back into TV. I’m also getting letters of support, urging me to do another movie. It’s not only surprising but humbling.
An enlightening and poignant coming of age documentary, Do You Dream In Color? captures the inspired journeys of four courageous blind teens as they face the challenges and frustrations of living in a sighted world. There’s, Connor 14, who uses echo-location to improve his skateboarding skills so he can join a skateboarding team. Sixteen-year-old Sarah dreams of studying in Portugal, where her mother was born. Read more
Known for Krampus: The Reckoning and Blind People, in The Covenant, Monica Engesser is Sarah Doyle, a troubled woman who returns to her childhood home with her estranged brother Richard (Owen Conway) after the tragic deaths of her husband and daughter. When Sarah begins to experience violent and hostile supernatural phenomena, Richard enlists the aid of a paranormal investigator who confirms that Sarah has become possessed by a powerful demon. Together, the three men fight to save Sarah’s soul. In this one-on-one interview, Engesser reveals what attracted her to the role and the challenges she faced in making this chilling film. Read more
Known for ZK: Elephant’s Graveyard, Speak No Evil and Cut!, Gabrielle Stone is an accomplished actress with an impressive resume of work. In Stray, Stone is Jennifer, a troubled young woman with a disturbing past and a penchant for killing. Penned and helmed by award-winning writer-director Nena Eskridge, Stray follows Jennifer as she struggles to break free from a cycle of violence and seek love and redemption in a small town. In this one-on-one interview, Stone reveals the challenges she faced in bringing a flawed and exceedingly complex character to life. Read more
A skilled filmmaker who focuses on character and emotionally driven stories, Jai Jamison has directed, written and edited a number of captivating films. These include Speak Now, Wheeler, Anthony Samuels and most recently, Tri, which Jamison directed and co-wrote. Read more
Growing up in Australia, Hannah Levien worked extensively in theatre before making her feature debut playing a teenage-runaway in the award-winning Australian film The Horseman. A recipient of the Arts Queensland Professional Development Award, Levien also starred in SyFy’s The Magicians and appeared in the popular TV series, Supernatural (as Calliope). Read more
Narrated by a deep-space captain we all know—Patrick Stewart—Journey To Space reveals in stunning, 4K realism how NASA and other space adventurers are boldly taking on the challenges of interplanetary space travel. Highlighted by extensive interviews with astronauts Chris Ferguson (Commander of the final shuttle mission) and Serena Aunon (a new astronaut chosen for future flights), Journey To Space delivers a breathtaking overview of past space achievements, current projects and future plans, including a number of Mars missions.
Journey To Space underscores how the Space Shuttle program led the way in moving us into the space station era, a critically important step in preparing astronauts for journeys to Mars and beyond. We see astronauts at work and play in the confines of this tubular home circling the globe every 90 minutes. Perhaps not since the film, Gravity, have viewers been treated to some of the most spectacular space footage—including stunning views of Earth and work on the Hubble Space Telescope.
Watching the International Space Station (ISS) being assembled is an awesome visual treat. We see how astronauts learn to live, build and conduct science in space, laying the foundation for the next giant leaps to explore the planets.
Among the major highlights of the film are the many parallel efforts to place humans on Mars. The film explores in fascinating and realistic detail how astronauts will travel, land and live on the Red Planet. We learn the many ways our early Mars pioneers will survive on a lifeless world, the habitats they will build, and the many physical and psychological challenges they will face after years of isolation from Earth.
Also documented in stunning visual detail is Orion, a spacecraft designed to carry humans on long-duration deep space missions throughout the solar system. We learn about Olympus, an inflatable transportation habitat that’s 50-feet in diameter and provides astronauts the work area and living space necessary for long-duration missions. And finally, the Space Launch System (SLS) is presented in detail, showing how its huge rocket will carry spacecraft, Mars landers and ascent vehicles to place astronauts on the surface of Mars.
Journey to Space should inspire a new generation of astronauts to explore space, while reminding us of the accomplishments of the Space Shuttle Program, the ISS and the many unmanned Mars missions.