Dark Matters is a new SyFy show premiering tonight at 10/9c. It centers around a crew of individuals who wake up on a space craft with no memory of how they got there. Producer Joe Mallozzi and star Melissa O’Neil (Two) talk about the show and reveal some great things viewers can look forward to. Read more
First came the white wedding. Then came the red wedding (Game of Thrones fans). Now we have the Drunk Wedding. We recently had the chance to catch up with the Drunk Wedding‘s director Nick Weiss to talk about this comical romp centering around a couple’s trip to paradise to exchange their nuptials. Once there, everything turns from good to very bad with one hilarious bad decision following the next. Read more
The new sci-fi drama series Stitchers premieres this Tuesday, June 2 on ABC Family. Stars Emma Ishta (Kirsten) and Kyle Harris (Cameron) had a few things to say about the new series, their characters and what would-be fans can expect from the show. Read more
Sasha Pieterse talks about some of the things fans have to look forward to in the upcoming summer episodes of the new season of Pretty Little Liars which airs on ABC Family this coming Tuesday, June 2. During this season, truths will be uncovered as viewers learn just how dark and strange the DiLaurentis family really is. Read more
Kristin Bauer Van Straten (Once Upon A Time’s Maleficent and True Blood’s Pam De Beaufort) will introduce viewers to a special installment of American television’s environmental investigative series, EARTH FOCUS: Illicit Ivory. An animal rights advocate, Van Straten hopes this documentary will help viewers understand the dire situation that elephants face—that poachers kill an elephant every 20 minutes to feed an insatiable demand for ivory. As a result, African elephants may be gone in as little as ten years. In this one-on-one interview, Van Straten reveals her commitment to saving these regal animals and her passionate pursuit of animal rights.
You’re a long time animal rights advocate. What prompted you to become involved with this particular documentary?
Kristin Bauer Van Straten: I had no idea this was going on. I met with James Isiche from IFAW (international Fund for Animal Welfare). They do great work in Kenya and he told me this was happening. I was so stunned. I’d heard about the ivory crisis in the 80s, but I didn’t realize that ivory was such a widely traded commodity. The cruelty of it is astounding. Elephants are massive and majestic creatures. The slaughtering of these 15,000 pound animals for four percent of their body for a trinket is appalling. I spent a month with elephants in Kenya where we met Cynthia Moss, who had conducted the longest running study of elephants in the wild. She’s observed their family structure, bathing rituals, their birthing and mourning process. I read her book, and there’s just no disputing that they are as sentient as we are.
What were the major challenges in filming this documentary?
Van Straten: Kenya is the only country that has chosen to destroy their seized ivory—as opposed to selling it to China. The biggest problem we’ve seen since the total ban on ivory in the 80s is that other African countries are choosing to enter the black market, become traders and profit from the sale of illegal ivory. Most people in China don’t realize that an elephant had to be killed for their ivory trinket. The word ivory in China translates into “teeth.” Ivory has become a status symbol there; it’s how the Chinese middle class show “they have arrived. And that has fueled this drive to move ivory overseas again. We’re trying to get an all-out ban on ivory, but we’re getting all kinds of blowback from the people who would profit form its sale.
How long have you been involved in animal rights? And in the protection of elephants?
Van Straten: Throughout my life on some level. My dad was such a nature lover. While my siblings aren’t into animals like I am, they are into the environment. I became actively involved, and as my career rose, so did my opportunities to give back. There are so many amazing causes. And since I can’t clone myself, I try to get involved with the most voiceless—and that’s animals. I wasn’t involved in the protection of elephants until about three years ago. I didn’t go to the circus. I don’t believe in slavery. I’m not fond of using animals for entertainment. I’m an entertainer and it’s rough. I think it should be your choice. So I wasn’t aware of the elephant genocide until a few years ago. Lions, zebra, giraffe—all being slaughtered. Many animals in Africa are under siege, mainly from Asia.
What are the short and long-term goals you hope this documentary will achieve?
Van Straten: From what I saw in Kenya, the people there are astoundingly optimistic. I think it’s just their nature, but I also think that when you’re on the ground, literally saving lives, even if you save less than you’d like, there’s a certain can-do attitude that comes from having your hands in the dirt. And that optimism became infectious. The more who get involved, the greater chance we have of keeping elephants on Earth. I watched two animal species go extinct in the last two years, which is very sad. I asked a ranger in northern Kenya what will happen if more people don’t get involved in saving animals and he said it’s uncertain. The only thing we can do is try to support what these heroes in Kenya are doing.
How can people help this noble cause?
Van Straten: Depending on the person’s resources, if all they have is a voice, that’s huge. We need the world to declare an all-out ban on ivory. We need to spread the word as fast as we can. Many people hear about this and make the choice—to write a letter, foster a baby elephant in Kenya, send $50 to one of the organizations that I know will make a difference (they’re on my website).
Switching gears, what are some of your favorite moments in Once Upon a Time?
Van Straten: I usually watch the show, but I don’t like to watch myself. I really had a ball with Lana Parrilla and the rest of the cast. Lana is the first person I got to work and she has this amazing big laugh. The hours are really long, but we just dove in and had so much fun playing with these roles. I just came off seven years playing evil characters, and she has been killing it, playing evil. But now both of our characters have found a softer side.
EARTH FOCUS: Illicit Ivory airs on KCET. The program will also be available on http://www.kcet.org/ivory and KCET.org/ivory. The trailer can be seen on http://bcove.me/slkmg39e (warning: contains shocking footage of killed elephants).
Shawn Carter Peterson portrays Dax in the upcoming musical dance flick Pitch Perfect 2. This movie is more than just a sweet tune with a toe tap and a shake of the hip. Viewers can learn a few things after they’ve watched this production.
Peterson says Pitch Perfect 2 teaches audience goers that, “even when all seems lost, [you can] find the silver lining and go with it — It will take you through to the winner’s circle!” Read more
It won’t be long before Pitch Perfect 2 sings its way into theaters. Fortunately for us, we can tease you a little along the way! We recently had the pleasure of chatting with the Filharmonic, a six-piece group who play against the beloved Bardon Bellas in the film’s A Cappella competition for worldwide harmonic domination.
The cast from Showtime’s The Affair attended a screening of the show and a panel discussion at the historic Samuel Goldwyn Theater in Beverly Hills, hosted by Hollywood Reporter’s Stacey Wilson. Joshua Jackson (Cole Lockhart), Ruth Wilson (Alison Bailey), Maura Tierney (Helen Solloway) and Julia Goldani Telles (Whitney Solloway) joined the audience in conversation about the show along with the show’s producers Sarah Treem and Jeffrey Reiner. Read more
It won’t be long before a new comedy hits the big screen on May 8. Reese Witherspoon and Sofia Vergara star in Hot Pursuit. It’s a quirky little flick about a cop (Witherspoon) whose uptight, by-the-book antics do not serve her well when she is assigned to protect a too-cool-for-school widow of a drug boss who likes to live life by anything but the “book”. Read more
A cross between Firefly and The Office, the new a space adventure TV series Nobility combines a sleek spaceship in a deep-space adventure with a hearty dose of comedy. The polite, albeit dysfunctional crew aboard the C.A.S. Nobility—the most powerful ship in the Confederate Alliance—are the subjects of a documentary about how this mightiest of all ships is run. Each episode explores the actions of the ship’s wacky crew as they overcome their personal trials and challenges in a broken world that surrounds them.
In these one-on-one interviews, Torri Higginson (Stargate SG1, Stargate: Atlantis) talks about her role as Cdr. Eugenia Pikeman. Also weighing in on his role as the heavily disciplined Eujin Liaison, Lt. Sirius Halud is Darren Jacobs (Elevator Gods, Death Machine, and the two-part sci-fi Starship).
What attracted you to the role of Cdr. Eugenia Pikeman?
Torri Higginson: I find that I always get cast in these big-hearted, nurturing characters, but I love Commander Pikeman because she’s not that. She’s very smart. She has an eye and a wing over everyone, but she would rather not talk to you or you to her. She would rather smack you if you misbehave. I find her energy quite wonderful. She reminds me a little bit of a German dominatrix.
How is this different and how is it similar to the sci-fi work you’ve done in the past?
Higginson: I’d never been part of a project on this grass roots level. Adrienne Wilkinson (who plays Lt. Ara Eris) got in touch with me, so I first heard about it through the actors who told me there’s this world that E.J. De La Pena created that’s really exciting and filled with lots of possibilities. So let’s all dive in and play and see what happens with it. It was a little bit scary but it seemed like a nice environment to play. The cast had already been compiled at that point and it sounded fabulous. E.J.’s energy is very lovely and innocent and he has this big heart for sci-fi. You never know how it’s going to pan out. There’s a bit of irreverence, which you find in the original Stargate and the original Star Trek.
Did you audition for the role?
Higginson: No. Adrienne got in touch with me and I met with E.J. who said we’d love you to come on board. Usually when you audition, even though, as an actor, you don’t feel it’s a mutual audition, you walk into the room and you hope you get the gig. But there is this other thing that happens when you get a job and you have an audition, it’s nerve wracking because you realize you haven’t had a chance to see what the person on the other side of the table is all about. There is a kind of mutual audition that goes on. So that was interesting to walk in, even though I had a meeting with E.J., I didn’t know how it would work or how his energy was going to be. Actors are all little kids that refuse to grow up.
How did you prepare for this particular role, a commander in humanity’s most powerful starship?
Higginson: Well (laughs), I just drew on my life’s experience. I find that in a lot of science fiction, the world is so out there, you really just take what you get from the script. And it seems sort of non-pressured for the whole environment. To be honest, I didn’t do a lot of prep. I read the script and looked at the other characters to see what they were doing. I met with the other actors and with the series creator, and then I just shut up and decided to play.
What was the most challenging part of this role? What scenes or parts do you enjoy the most?
Higginson: It was inspiring to see what they did on such a budget challenged series. But you get used to certain things like their wardrobe—like really? I can fit three people in this thing. Just having to feel powerful and strong in an outfit that doesn’t make you feel that way was a challenge. But I’m still blown away by what they did—creating an entire set in basically one room—wardrobe, hair and makeup, shooting, the green room.
As a ship’s commander, do you get involved in any shooting and fighting? And do you do your own stunts?
Higginson: I had a hard time working on my right hook. We had this amazing stunt guy, Mario, who came in and organized these fabulous fights between Adrienne and Darren Jacobs. And they just rocked it out of the park. I just get to punch people occasionally. I don’t break a sweat, I punch and walk away.
How much can you tell us about your character arc? Will Cdr. Pikeman change? Or will she be immune to the zany antics aboard the Nobility?
Higginson: She has a dry outlook that I really like. She has one eyebrow cocked most of the time and a little bit of an eye roll. What I love about E.J. and what brought me on to the role was that E.J. had such a strong sense of where it’s going. Everyone has a very specific arc. He came at me with “this is the history of this character.” As an actor, E.J. created this world with an actor’s mind. So he has a very strong sense of who these people are. As for my character, she is strong and emotionally reserved, but I think she’s going to open up a bit.
Will there be any romantic entanglements for Cdr. Pikeman? Can you say with whom?
Higginson: I hope so. I not looking forward to another four years of celibacy in space. I think Eugenia and Captain Eric Cern (Cas Anvar) have an interesting history. I think they were best friends during their training days, but I don’t think they had a romantic history. And I don’t think they ever will because he’s got his eyes on the mission—like a modern day Captain Kirk. I think she will have a romantic relationship with someone—perhaps with a Eujin because they are a very reserved and deeply honest race of humans.
The series is ostensibly an incongruous coupling. How is Nobility like Firefly and how is it like The Office?
Darren Jacobs: It’s like the Office because we have these cutaways or confessionals where we talk directly to the camera. Nobility has these little robots that fly around and film things that are happening on the ship. They think it’s good for the general population to see what’s happening on board, but it’s not really a great idea because the people running the ship are not the best people. In terms of Firefly, it’s got the sci-fi humor, the science stuff and on-the-nose throw away comedy—like Red Dwarf. All the characters are flawed in some way. My character is differed because I come onto the ship as an innocent optimist who wants to do good. But being immersed with these people changes me. I become tarnished.
You have such a broad acting background. What drew you to the role of Lt. Sirius Halud?
Jacobs: I was in a film with E.J. at the time and he was telling me about this thing that he’d been thinking about—combining sci-fi and comedy. I read the script and I thought it was fantastic. Then he got Claudia Christian from Babylon 5 involved. He asked if I knew anyone could do the serious stuff and the comedy and I got the role straight away. The real test for me was when we did some confessionals with costume and make up. We had a couple of script pages and I did a little improv with the comedy and E.J. and the crew were laughing their heads off.
How did you prepare for the role?
Jacobs: I did lots of research because it’s set 700 years into the future. So I had to learn about the Eujin race of people. We went back and forth about how we (Eujins) would speak. In 400 years, humanity becomes isolated, and in 700 years, they come back. I liked the idea they’re kind of outdated, so we agreed on a 50’s UK accent. In the fight scenes, I’m like a snake.
What was the most challenging part of this role? What scenes or parts do you enjoy the most?
Jacobs: I really enjoyed the fighting, but I also hated it because it was in the middle of summer, we were in this hot warehouse and I had this plastic costume that had half an inch of foam in the front, which when it bunched up, looked like I had these rolls on me. The sweat poured out me. I loved the pilot because the camera follows me through the ship as I meet all the characters. So every day, I’d come to the set and I’d meet a new person.
How is this different and how is it similar to the work you’ve done in the past?
Jacobs: It’s similar in that you come on set and you work with great people. It’s different because I’d come on set and realize that every day, I was working on something that I’d dreamed of working on as a kid.
Will Lt. Halud have romantic liaisons with any of the crew? Can you say with
Jacobs: I don’t know. I do know that he is definitely attracted to Eugenia Pikeman. He likes the idea that she has some respect for him. Eugenia is a strong woman who is really the muscle behind the ship.
How much can you tell us about your character arc? Will Lt. Halud change? Or will he continue to evangelize the Eujin culture with its focus on genetic purity and directed evolution?
Jacobs: My character is from a Eujin family who has had some problems in the past but now my sister and I are doing very well. She is in politics and I’m growing fast in the army. Joining the crew of Nobility is a huge slap in the face for my family because it’s a human ship. I’ve literally thrown away my high rank. Lt. Halud has this hope that the humans and the Eujins can work together, to expand humanity and reach the next stage. But the things that happen in the pilot change everything. Initially both the humans and the Eujins don’t accept me.
Messengers’ stars Shantel VanSanten and Craig Frank talk about the compelling new series, which begins when a mysterious object crashes on earth and a group of unconnected strangers die from an energy pulse it emits. The selected Messengers re-awaken to find out that they must work together and unite their various new powers to prevent the impending Apocalypse. Messengers premieres on Friday, April 17 at 9pm on the CW channel. Click Messengers for brief video.
Born in Dhahran, Saudi Arabia, actress/writer Alex Essoe’s diverse body of work includes such films and TV series as Free to Go, Passion Play, House of Lies and Reaper. In Starry Eyes, Esso plays Sarah Walker, a young woman determined to make it as an actress in Hollywood. Stuck in a dead-end day job as a waitress, enduring petty friendships, and going on endless casting calls, Sarah submits to a series of strange auditions. When she finally lands the role in a new film from a mysterious production company, she undergoes a bizarre transformation that changes her into something beautiful…and altogether terrifying. In this one-on-one interview, Esso talks about her role and the challenges she faced in bringing Sarah’s character to life.
What attracted you to the role of Sarah?
Alex Essoe: I totally fell in love with Sarah’s vulnerability and fragility. And how pure her intentions are. She’s so unbelievably hard on herself, which comes from a place of truly loving what she does. The tragic flaw of Sarah is that looks for a sense of identity outside of herself, which ultimately leads to her downfall. It broke my heart when I read the script.
Did you audition for the role? What was that like?
AE: It was me and about 30 other girls. After an audition, I try to forget about it or you can drive yourself crazy. I didn’t hear anything for nearly four months, then I got a callback. They sent me the script, and after I read it, I told myself, I need to do everything I can do get this part. I totally fell in love with the story. So I did the callback, and after another four months, I got a call to have coffee with director Dennis (Widmyer) and we talked for about an hour about film trivia and Zulawski’s Possession, which is one of my favorite all-time horror movies. And lucky for me, my reference to Possession prompted Dennis to exclaim, “that’s actually what this film is influenced by.”
You’ve been on a few casting calls. Were there things you drew from them for this role?
AE: One thing I loved about Sarah’s experience early on in the film is how universal it is. Every actor has to deal with rejection and self-doubts. I don’t know a single actor, who after an audition, hasn’t said, “I didn’t do that right. I should have done this and made that choice.” You drive yourself crazy doing that. So, yeah, the years of casting calls, rejections and picking yourself back up—they reflect Sarah’s inner monologue, as she lives and dies by whether she’s accepted by the industry.
What was the most challenging part of bringing Sarah’s complex character to life?
AE: I would say finding what her boundaries were. Like most people, I have very definite boundaries. There are certain lines that I’m simply not interested in crossing. Sarah had to find a way to justify certain choices she made. Were I this person and had I lived this kind of life, I’d have to find all the things that surmount my personal boundaries. You have to find a way to justify everything and not judge. You can’t ever judge any character you play, otherwise, you really can’t honor them.
Do you have a favorite scene?
AE: The ending was a delight to shoot. The climax at the house was really fun. And the actors I worked with were great. Fabianne (Therese) especially, because I kill her like three times. And the kitchen was just a massacre.
How did you prepare for the physical brutality of the role? Your killing scenes were pretty intense.
AE: When you’re the antagonist and doling out punishment, you can’t really think of it as punishment or something that would horrify you. You have to regard it as work. A great example is Marathon Man where Laurence Olivier is torturing Dustin Hoffman. Olivier said that during that scene, he imagined himself pruning his roses at home. So that’s what I used during some of those violent scenes. Obviously the choices for Sarah were different, since she’s in a different headspace and completely broken down at that point.
What went through your mind when you read the script—with Sarah covered in mud and blood, and her face all bruised.
AE: Oh, bring it on. I couldn’t wait to get started. And the more crazy stuff they added, I said, “yes, more.” The priority is honoring the story.
Did you really shave your head for the final scene?
AE: No, no, no. I don’t know if I’m at that point in my career where I can pull a Natalie Portman and get away with it. We had the best effects team headed by this talented man named Hugo. He was a genius. There was nothing he couldn’t do. Once he put that bald cap on, it was the creepiest thing ever. Maybe in the future, I’ll shave my head. It’s not such a bad look for me.
What message do you think the film sends to aspiring young actresses?
AE: I hope that it sends the message that there are no real rules when it comes to making your way in this industry. Don’t ever let anyone else try and tell you who you really are. You have to know who you are or other people are going to tell you who you are.
Alex Russell (Chronicle) recently wrapped up five weeks chilling with his friends and family in Australia, and then he went on to hang out in New York promoting his new film Believe Me. Russell plays the character Sam, one of four broke college friends who come up with a cheeky, inventive way to raise a little cash.
Probably one of the most fun roles Russell has portrayed thus far, he tells us a little bit about his character as he sees him. “Sam is a person who seems to be a really good guy. He spreads a lot of joy and lives by a set of principles. One of my favorite major takeaways for me from the film is ‘are you practicing what you preach or are you just going along with the crowd‘. I think Sam says he lives one way, but he actually lives another.” Read more
The film franchise that’s delighted a growing fan base over the years—Leprechaun—was rebooted to Leprechaun: Origins. Backpacking through the lush Irish countryside, two unsuspecting young couples discover a town’s chilling secret. Ben (Andrew Dunbar), Sophie (Stephanie Bennett), David (Brendan Fletcher) and Jeni (Melissa Roxburgh) quickly discover the idyllic land is not what it appears to be when the town’s residents offer the hikers an old cabin at the edge of the woods. Soon, the friends find that one of Ireland’s most famous legends is a terrifying reality. In this roundtable interview, director Zach Lipovsky reveals how he approached this rendition of the classic horror tale to make it fresh, current and unique. Read more