Earlier this week Italian contemporary composer/producer Robert Miles released his Th1rt3en Remixes EP, a companion piece to February’s full length album Th1rt3en (Salt Records), featuring three remixed tracks off of that album. He also set loose a remix single on it’s own, “Miniature World” with the original track included. Clickety click to check out the video.
Experimental rock band Man On Earth are kicking things off proper to sound the drums for upcoming album Things They’d Never Believe with a summer schedule of performances beginning with an acoustic set tonight at the Legendary Dobbs in Philly.
Tonight they are opening for fellow rockers Sinai, and this week they’ve announced a slew of exciting shows with Simple Plan, Secondhand Serenade, Atomic Tom, Kill The Alarm, Night Fevers, and Reckless Sons to add to your summer calender.
It’s not every day that something comes along that surprises us. We are not talking ‘surprise’ in that artificial birthday cake sort of way, but ‘surprise’ in that genuinely unexpected way that steals your breath for just a moment while you take stock of what you’re witnessing.
What we are witnessing is the emergence of a wholly unique, fresh approach to something tried and true in an industry where ‘fresh’ ideas can often times end up as nothing more than stagnant and disappointing representations of smothered artistry.
Usher in Freedom of Death, a Toronto-based duo who’s ‘sound is rooted in everything – acoustic folk, electronica, traditional rock, hip-hop rhythms, yet always anchored by their lyrics’. They are a huge, and very pleasant surprise.
‘Holdover Part II’ is more like it because The Hangover Part II should be in movie theaters for a very long time. The hilarious comedy uses the same formula as in the original that got the filmmaker an amazing box office return. The writers, cast and crew did an amazing job of bringing one of the funniest movies of the year to the screen. IT’S NOT FOR KIDS.
Stu’s about to get married to the lovely Flora (Jamie Chung) a Thailand beauty. The bride wants her wedding to be held in her home country where her parents live. With all the wedding plans complete Stu gets on a plane with his best friends Phil, Alan and Doug for the journey to the beautiful land to meet Flora’s family for the first time. Flora’s parents welcome Stu but he also receives the comment that he’s not ‘good enough’ for daddy’s little girl. Bummed out, the guys and Flora’s young brother Teddy, take Stu to Bangkok for one last fling.
The original formula works well here, it’s the morning after and we find Stu, Phil and Alan hung over and not remembering the night before. It gets very hilarious from here on out with a missing Teddy, an elderly monk in a wheelchair, a drug peddling monkey and Mr. Chow, the weird oriental from the previous film, all becoming the clues within the bizarre search around Bangkok.
Acting, directing, story and cinematography are on point with the comedy. The returning cast puts on a great show under the able direction of writer/director Todd Phillips. Phillips packages the film nicely and like in the first Hangover executes some wild twists and turns that when you think it’s all figured out, throws another fly in the ointment. Never missing a beat, the story flows nicely, comedy sharp and the ending (well you will just have to see that for yourself.)
As I stated in the first paragraph this movie is not for kids, but mature adults. The Hangover Part II is rated R for pervasive language, strong sexual content including graphic nudity, drug use and brief violent images. Warning: The film gets so raunchy at times even a sailor would blush and most of the sexual content is not always socially acceptable. After all it’s just a movie, right?
FINAL ANALYSIS: A wild recap of their first hangover, only different. (B)
I’m sitting here watching a 1 hour and 30 minute long advertisement called The Greatest Movie Ever Sold and asking myself, ‘what did I do to deserve this torture, become a film critic?’ Well at least as a member of the movie society, albeit not a popular member, the movie does have tongue-in-cheek nuances that do entertain. Of course it’s your right to walk out after the first 20 minutes, as that’s probably all you can take. Unless you are a devout advertising executive for which The Greatest Movie Ever Sold becomes mandatory.
In most every film there is a reference to a product; i.e. holding up a can of Pepsi Cola while making a gesture and spouting a line during an emotional moment in the movie. The showing of their product in this case is probably paid for by Pepsi Cola and the movie industry has dubbed this kind of advertising ‘product placement’. So, in this film we find the ‘Super Size Me’ writer, director and producer Morgan Spurlock out to find as many gullible Madison Avenue executives that would actually pay for a movie about just that, ‘Product Placement.’ And Morgan is able to convince a bevy of players to jump at a chance to be in movie theatres all over the world.
Now, Spurlock surely does his sales job and delivers this hour and a half advertisement to theaters, most likely going then to DVD and HBO. If it catches on the ditsy documentary may just turn out filling Morgan’s pockets with the hard cash that unsuspecting moviegoers plunk down to see the dreadful ‘ho hummer’. With people getting bombarded by ads all day, why would anyone pay to see a MOVIE about advertising? Um…yes! So they can take their mind off of the bad economy, unwind from a long day at work, get away from the kids for an evening, or see this adventure instead of a Pirates of the Caribbean. No sale Spurlock!
Truthfully though, although his first film ‘Super Size Me’ was a great idea and has a lot of laughs nicely tucked inside, The Greatest Movie Ever Sold, does not. Unless you’re a filmmaker wanting to find out about this special ad technique for the movie you are making, DO NOT, I repeat DO NOT waste your money and get suckered into this Documentary completing the only lesson Spurlock has to show. “There’s a sucker born every minute”.
FINAL ANALYSIS: NO SALE SPURLOCK…(product placement goes here). (F)
(Please note that since we did not get a product placement for our website in the film I have only mentioned one product in this article and it isn’t one that’s in the movie…I’m actually enjoying a Pepsi while I am typing this review.)
If you have been watching Burn Notice than you know that Michael Westen (Jeffery Donavan) is a former intelligence agent, a spy that has been burned (booted out, black listed by the organization that trained him) and has been on the trail of the person who caused this situation. In between times he takes on odd jobs with his partner Sam Axe (Bruce Campbell) and girlfriend Fiona Glenanne (Gabrielle Anwar). Each weekly episode starts where it left off and includes at least one of the jobs Westen’s been roped into.
I am a pretty consistent fan of Burn Notice, but because of some inconsistency in directing, I’ve strayed now and then. But, that’s my quirky thing. Depending on the Director’s ability to get a good performance (the actors had been vacillating in the first and second season between realistic and amateurish) I find the series very entertaining. This fourth season found me more engrossed in the plot; eager to see the next episode and enjoying the action show more.
Season four finds Westen hooking up with Fiona and Sam in some incredible situations from bad bikers, Chinese mafia to black listed spies and a dock worker (and that’s just the first disc). I do have to admit, the addition of Cody Bell, as burned spy Jesse Garcia, is a brilliant move. The writing seems to get better from season to season and I found four right up at the top.
Having the luxury of seeing season four on DVD, paying more attention to the story, and no commercials has helped my desire to continue with the spy thriller. Of course being in Florida and spending most of my life in South Florida where the program gets filmed doesn’t hurt either. Seeing the beaches, glitzy clubs, lot of hot bods and surroundings I’m familiar with, makes Burn Notice a must for me.
Included on four disc DVD are bonus features that include deleted scenes from most all of the weekly shows.
FINAL ANALYSIS: A nice addition to your video library and a great way to get caught up. (B)
Talking about eye-popping 3D the current release of Gnomeo & Juliet provides a heaping helping of the special entertainment on Blu-ray. The combo pack provides four ways to watch the film Blu-ray 3D, Blu-ray disc, DVD and a Digital Copy so even if you do not have 3D right now, it’s yours for the future.
The story follows a ‘Romeo and Juliet’ relationship between families of Gnomes that live on different sides of a huge fence. The two families have been feuding forever and are abiding by the rules they have set up for themselves. One day Gnomeo has an accident that brings him together with Juliet and a comical romance begins.
The movie, although directed at youngsters who will probably wear out the disc with their repetitive use, does play to an adult level. Filled with a lot of tongue-in-cheek comedy for adults I was never bored watching the hour and 24 minute film.
Watching the funny animated film in 3D on a pretty good size screen (say 35” or larger) gives approximately the same experience of seeing it in a movie theater. Especially with Gnomeo & Juliet since it has a lot coming at you from your TV screen. But, although the kids will love the popping effect, the depth of field really makes the film magical.
Bonus features include:
DVD & Movie Download:
• Elton Builds a Garden
• Frog Talk with Ashley Jensen
• “Crocodile Rock” Music Video, featuring Elton John and Nelly Furtado
• DVD Bonuses plus:
• 2 Alternate Endings with Filmmaker Introductions
• Deleted & Alternate Scenes with Filmmaker Introductions, including an alternate opening of the film and an added alternate scene. The disc includes six scenes not shown in the original movie theater release.
• The Fawn of Darkness, featuring Ozzy Osbourne
FINAL ANALYSIS: Whether you have 3D or other form of player, this is truly a KID pleaser. (B+)
The movie is rated G for the whole family.
Here is a cool film that reminds me of a cross between the television show X-Files and the comic book heroes the X-Men. Now on DVD I Am Number Four plays very nicely on the small screen and especially on Blu-ray. The bonus features bring added value to the Blu-ray
The story goes something like this: John Smith (Alex Pettyfer), a high school teen has arrived in small Ohio town having been on the run from a ruthless enemy that has come to earth to destroy him. His guardian Henri (Timothy Olyphant) classified as a warrior on the planet they are from, has been put in charge of protecting John. Following incident involving John emitting special powers at his school, Henri informs him of his purpose on Earth and that he’s the target of relentless killers. When he falls for his classmate Sarah (Dianna Agron), John’s judgment gets clouded and puts him at risk.
Performances by Pettyfer and Olyphant are extremely good making their characters intriguing and suspenseful. The situations they deal with in the script require a big range of emotions and agility and both are up to the challenge. When the fighting begins the choreographers have the warriors working with realistic moves that energize the battle scenes.
In addition being able to rewind and pause the film, which I like to do during the action scenes looking for something I may have missed, the disc provides bonus features that make the Blu-ray an even better purchase. The bonus includes deleted scenes that enhance the film, some bloopers that are actually quite funny and a feature on ‘Becoming Number 6’, which gives a more in-depth look into that character. All the added material is worth a look.
FINAL ANALYSIS: A good film with a probable sequel coming in the future. (B)
The film carries an MPAA rating of PG-13 for intense sequences of violence and action, and for language.
Yo Ho Ho and a mighty jug of Depp. Commanding every scene in his 4th installment of Pirates of the Caribbean, Depp shows that he hasn’t slowed down. Although the film is lacking in some respects, On Stranger Tides entertains with comedy, action and awesome 3D. Whether you’ve seen the other three or just getting started, you are in for a pirating thrill ride.
In this episode of Captain Jack Sparrow (Johnny Depp), we find him being duped into looking for the Fountain of Youth by his newest sidekick and heartthrob Angelica (Penelope Cruz). It doesn’t take long for Sparrow to find trouble and when he steps on the deck of the ship of his most feared remaining nemeses Blackbeard (Ian McShane), his love life and dreams of a fortune start to turn upside down.
Pirates’ 4 like its predecessors has all the fun chase scenes that find Jack in the thick of things. With addition of Cruz as Angelica the daughter of the infamous Pirate Blackbeard and Jack’s one true love, in the heat of confrontation she challenges Sparrow’s actions at every turn. Does he face up to his arch nemeses or turn away to protect the only woman he ever loved? That’s the quandary we find in this installment. The film has a lot of twists and turns, but in the end there’s always one more following the movie credits.
As for Johnny Depp, like in all the Pirates of the Caribbean films, Jack has to find a way out of the mess he gets himself into, even if the drunken sailor hasn’t a prayer. This is where Depp shows his best bobbing around like he’s filled with rum and avoiding disaster at every turn. He’s the jester of the comedy team, a Dudley Moore, Charlie Chaplin and Stan Laurel all rolled into one.
But that said, has there been too much of Jack Sparrow? Has the character run its course? He’s fought against ghostly skeletons (The Curse of the Black Pearl), ends up in Davy Jones’s locker (Dead Man’s Chest), sails into battle at the edge of the earth (At World’s End), and in this episode Jack’s headed for a chance at immortality. Anyway, I think Jack’s about to hang up his tattered Pirate Hat for good and grab a case of Pyrat Rum. Let’s hope however, that we won’t have to suffer through any spin offs that would never be the same without Depp.
Rob Marshall does an adequate job of directing this installment bringing a lot of excitement to the screen. Although he didn’t have the full talent pool that included the likes of Orlando Bloom and Keira Knightly he still makes good use of the returning Geoffrey Rush (as Barbossa), Kevin McNally (as Gibbs) and even Keith Richards (as Jack’s father). Throwing in some new faces like Ian McShane as Blackbeard, Sam Claflin as clergyman Phillip and a modest Astrid Berges-Frisbey as Syrena a mermaid gives the film a fresh newness but still doesn’t stand up to previous consummate casts.
I liked the film very much and when the Blu-ray comes out it will join the other three in my collection.
Pirates of the Caribbean: On Stranger Tides is rated PG-13 for intense sequences of action/adventure violence, some frightening images, sensuality and innuendo. The film was viewed in 3D for this review. Although it runs for over two hours, I never found myself nodding off or antsy.
FINAL ANALYSIS: A very good continuation of a slightly worn saga. (B)
Through the art of interviews, news footage, old photos and home movies we are brought to the reflection of a new age for Russia in the feature documentary My Perestroika. The eye opening of a huge powerful country in transition speaks loudly about capitalism, communism, socialism, politics and a proud people. Has the amazing change stood the test of time?
When the USSR broke apart in 1991, a generation of young people faced a new realm of possibilities. An intimate epic about the extraordinary lives of this last Soviet generation,
Robin Hessman’s feature documentary debut tells the stories of five Moscow schoolmates who were brought up behind the Iron Curtain, witnessed the joy and confusion of glasnost, and reached adulthood right as the world changed around them. Through candid first person testimony, revealing verité footage, and vintage home movies, Hessman, who spent many years living in Moscow, reveals a Russia rarely ever seen on film, where people are frank about their lives and forthcoming about their country.
I found the film interesting and revealing in a historical sense. The people interviewed by Director/Producer/Cinematographer Robin Hessman certainly show the change in their lives including hardships, political differences and future choices within their ‘new’ lifestyles.
However, I am left with the feeling of uncertainty on the track Russia has taken. Hessman seems to gloss over the political direction of Russia that still holds on to the roots of Communism. I would like to see what the other independent countries as a result of the break up of USSR have done with there new found freedom and compared their strife with that of the five Russian people centered on in the film.
In all My Perestroika does show hope for the new beginning and although it may be a long road ahead it may be a little rockier than Hessaman’s camera has captured.
The film is unrated, but I found no offensive material. The film is projected in the Russian language with subtitles.
FINAL ANALYSIS: A good historical look into the eyes of a ‘new’ nation. (B)
MY PERESTROIKA received the following accolades:
Official Selection – Sundance Film Festival, 2010, US Documentary Competition
WINNER – Filmmaker Award, Full Frame Documentary Film Festival 2010
WINNER – Special Jury Award, Silverdocs Film Festival 2010
WINNER- Best Documentary Film, Milwaukee Film Festival 2010
Official Selection- International Film Festival Rotterdam 2011
Official Selection – New Directors/New Films 2010
Official Selection – Hot Docs, Toronto 2010
Official Selection, Sheffield Doc/Fest 2010
Official Selection, Doha Tribeca Film Festival, 2010
After watching the previews I had the impression that Bridesmaids was going to be a female The Hangover. You know a group of women of many personalities including an oddball that carries much of the laughter and getting into trouble in Las Vegas. Well after watching the film, I found it’s not the case at all. This quirky little film should be called Dueling Maids of Honor because that’s what the movie really portrays.
The movie centers on Annie (Kristen Wiig) the chosen maid of honor to bride to be Lillian (Maya Rudolph) her best friend since childhood. Even with her life in a downward spiral, this event has put Annie on cloud nine. With her ego rising Annie starts gearing up for the best wedding ever to hit Chicago. Then she meets all the bridesmaids in a get together, one of which is Helen (Rose Byrne) the wife of the groom’s boss who in the past 6 months has become real close to Lillian. When Helen starts nudging for control of Lillian and the wedding, Annie puts on the ‘gloves’.
So, if you are going to Bridesmaids to see a group of wild women that have a female stag party in Las Vegas much like in The Hangover, it’s not going to happen in this film. Actually they never get to Vegas. Bridesmaids is more of an ordinary comedy about Annie vying for friendships, getting her life on track, trying to bring romance into her life and dealing with personal money problems all at the expense of her best friends wedding.
That said, there certainly are a lot of funny scenes, some quite hilarious involving Melissa McCarthy as Megan sister of the groom (now that sounds familiar). The wacky and silly character does in this film what Zach Galifianakis’s role accomplishes in The Hangover, carry the brunt of the mad humor that makes this film work. She’s so funny I would almost say it’s worth the price of seeing the film regardless of the time tested plot.
Oh, the picking out the wedding and bridesmaids dresses scene got so funny I didn’t know whether I was going to hurl or wet my shorts.
The film is rated R for some strong sexuality, and language throughout. There is also a scene of drug use and drinking.
FINAL ANALYSIS: An amusing joy ride. (C+)
Looking for a shot at huge recognition in acting, Will Ferrell takes on a dramatic role in the film Everything Must Go. The deep seeded movie puts him in a setting far from his comical fame and he nails the character with aplomb. If you like drama that deals with personal problems, marriage difficulties or psychological hardships, then Everything Must Go has it all for you.
The story centers on Nick Porter (Will Ferrell) a salesman who after 16 years with his company gets fired due to his drinking problem. Arriving home he finds the house locks changed and all his belongings out on the front lawn. His downward spiral has hit a low point in his life and it’s at this moment that he chooses to take a stand. Organizing his office furniture, exercise equipment and other things he has accumulated in life, he decides to live on his front lawn. When he meets Samantha (Rebecca Hall), a pregnant woman who moves in across the street, and Kenny (Christopher Jordan Wallace) a young boy that’s willing to help, Nick starts to come to grips with his situation.
Ferrell gives a strong performance as the latent alcoholic who can’t seem to shrug the addiction. Under the direction of Dan Rush who adapted the film from a short story by Raymond Carver, Ferrell shows that arrogant comedy isn’t his only path to fame. The deep slow moving storyline of Everything Must Go could have surly tested the comedian’s ability to hold back a smirk in some scenes, (and there are probably several takes where he doesn’t) but Ferrell holds his own throughout.
His support cast does an exceptional job in light of the fact that Ferrell finds himself flying solo during most of the film. As Kenny a youngster who joins in to help Nick in spite of the circumstances, Wallace proves he can deliver with the best. Helping Nick on the chance he can make some money during his boring summer, Kenny finds out that even he can give a hand up.
If I had to point out a weakness in the film it would be the poor fleshing out of the character of Frank Garcia played by Michael Pena. Although a pivotal role in Nick’s alcohol rehabilitation and marital separation, Frank’s character gets treated more as a second thought than a major player.
The film is rated R for language and some sexual content. The use of alcohol is prevalent along with a scene of attempted robbery.
FINAL ANALYSIS: A good acting job does not a great film make. (C+)
The quirky comedy Ceremony features a great cast under the direction of first timer Max Winkler. It’s Max’s entry into the world of controlling a set, actors and final production of a film. Having written the script for Ceremony helps him pull off a nice little comedy that entertains.
The story finds Sam (Michael Angarano) connecting with his old friend Marshall (Reece Thompson) that he estranged some years earlier. Although leery of their meeting, Marshall agrees to go with him to spend some time at the beach on Long Island. When they get there strange things start happening, including crashing a pre-wedding party. When Marshall realizes that Sam’s there to try to steal the bride (Uma Thurman) away from her intended (Lee Pace) things start getting out of hand.
The fun in this movie comes with the interaction of the many personalities and although the old saying opposites attract, this meeting turns into a hilarious mess. Angarano as Sam opposite Thurman as the bride to be Zoe makes a perfect fun picture as their height and age difference makes their interaction even more comedic. The cast is perfect and Thompson as the confused friend complicates the plot even more. When Whit (Lee Pace) Zoe’s puzzled intended gets into the mix things really get crazy.
Direction by Max Winkler, although a little unexceptional as a newcomer, still makes his story work. His cool hand at giving his actors a lot of rope to develop their kooky characters is a smart move that insures a strong endearing finish.
Cinematography by William Rexer (Prime) helps the film showing the northern Long Island off-season drab in the beach scenes and good close-ups of the action between Angarano and Thruman.
Ceremony is rated R for some language, sexual references and drug use.
FINAL ANALYSIS: A strong start for a young director. (B)
Slam the hammer Thor has opened in theaters and it’s a hard-hitting CGI adventure. Packed with action and electricity, the film makes this comic book hero a reality. With the anticipated The Avengers set for May 2012 however, this film’s more of an introduction of the character than a stand-alone hit.
At the center of the story is The Mighty Thor (Chris Hemsworth), a powerful but arrogant warrior whose reckless actions reignite an ancient war. When he takes it upon himself to fight the ice creatures, Thor is banished to Earth without his hammer where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.
I like Chris Hemsworth in the role of Thor, his physique, mannerisms and ability to create excitement are perfect for the part. With screenwriter and director of the film Kenneth Branagh at the helm, the mighty hammer slinging Thor becomes a reality. But, although action and adventure are present in this film, I found the plot more of an introduction to the character and lifeless at times. With the insertion of Natalie Portman as Jane the lead female, I found her more of a weakness rather than a draw to her pivotal character; it’s just not her thing.
‘Comic Bookers’ will certainly want to see this adventure, as the depiction definitely proves positive. The Computer Graphics Imaging makes Thor powerful and forceful against his foes with electric coming from his immense hammer, the weapon of this comic book hero. I totally felt the excitement in Thor’s battle in Asgard and on Earth. For that I upped the films value.
Chris Hemsworth who owns the role of Thor, which he won in a duel with his brother over the character, will reprise his role in 2012’s The Avengers. We’ve already been introduced to Iron Man (Robert Downey, Jr.) and with the upcoming Captain America (Chris Evans) it puts these three characters in line for their big challenge. The other members of the heroic group are Don Cheadle as War Machine (from Iron Man 2), Samuel L. Jackson as Nick Fury (the character makes his debut in Captain America), Jeremy Renner as Hawkeye (a new character to be introduced in The Avengers), Scarlet Johansen as Black Widow (also from Iron Man 2) and Mark Ruffalo as Hulk (a previously introduced character with a new face).
Thor is rated PG-13 for sequences of intense sci-fi action and violence. Most pre-teens however, have seen most of the fighting in their video games and cartoon network. Stay through the end credits for a hint about The Avengers.
FINAL ANALYSIS: A good introduction to a vital character in The Avengers. (B-)
The gripping story based on Saint Josemaria Escriva called There Be Dragons opens in theaters and it’s a must see for drama lovers. It’s a film of Saints and sinners, war and romance that puts its weight on the power to forgive. I liked the film for the knowledge of the period, the development of characters and direction by writer Roland Joffe.
The biographical story follows Robert Torres (Dougray Scott), a young journalist writing a story on Josemaria Escriva (Charlie Cox) a Spanish priest about to be canonized as a Saint. In his investigation of the facts he finds that his estranged father Manolo (Wes Bentley) was associated with Josemaria. After some soul searching the long separated Robert decides to contact Manolo in a last ditch effort to get at the truth of Josemaria’s past. During this interaction we see the story flashed back through Manolo, now a dieing man, who harbors a dark secret about his sins and the Saint.
The story consumes you from the very start as we meet the young Manolo and Josemaria growing up in the same town. Both living different kinds of lives of upper class vs. middleclass they find themselves growing apart. Manolo’s parents push him away from those beneath him until the final separation, one going to the priesthood and the other taking refuge with his family. When the Spanish Civil War starts to rear it’s ugly head, Joffe’s characters chose sides.
Joffe (The Killing Fields, Vatel) does a brilliant job with his story intertwining war, politics and religious suffrage. Making his characters fighters in all facets I felt like I was being dragged between fascism, communism and Christianity. When he brings the threads of deceit, deception, cruelty and honor together in his finale, the climax puts your mind in a wringer of sorrow and disbelief. It plays out like a novel you cant put down till the last page is turned.
There Be Dragons is rated PG 13 for Violence and combat sequences, some language and thematic elements.