Bringing a crime legend to the screen takes a good deal of research, good casting and impeccable direction and that all came together for Public Enemies.  Director Michael Man not only captures the essence of John Dillinger in his movie, but that of Baby Face Nelson as well.  Public Enemies is probably Mann’s best, no in my opinion, it is his best film to date.

In the early thirties when America was still rattling from the Depression, gangsters were on the rise.  Just when FBI agent Melvin Purvis took down Pretty Boy Floyd, John Dillenger’s number was elevated to the top of the wanted list.  It was an era of crime and a chance for J. Edger Hoover to make his play as the greatest G-Man of all time.  At odds with the U.S. Senate over appropriations for the FBI, Hoover had something to prove.  Putting Purvis in charge of the Chicago Bureau, Hoover planned to use him to make headlines by capturing Public Enemy Number 1, Dillinger and prove his worth to the government. What occurs during Hoover’s crime offensive coupled with the actions of one of the most famous bank robber of all time, becomes a chronicle in the history of America.

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