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Stop-Loss Wanders Around PDF Print E-mail
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Reviews - Movies
Written by John Delia   
Wednesday, 02 April 2008

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Rated: R
Although I feel that Stop-Loss has its moments, the story becomes repetitive and wanders with side plots. The winner here is the taut beginning that had me gripping my seat during the shattering battle scenes. Acting could have been a bit more natural and direction more pin point, but in all Stop-Loss comes in above average.

Sgt. Brandon King, honored war hero, returns home to Texas from his tour of duty in Iraq shortly after a skirmish that ended with the death of some of his squad after he led them into a blind alley. Distraught with the memories, but happy that he will be mustered out within days, Brandon parties with retuning buddies Burgess (Gordon-Levitt) and Shriver (Tatum).

Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Timothy Olyphant, Ciaran Hinds
Directed by: Kimberly Peirce

On the day before his final discharge he gets a letter to report to the command headquarters where he finds out that he has been ‘stop lossed', a clause in the recruiting contract that allows the government to retain soldiers beyond their term.

Distressed by the unexpected turn of events, Brandon flees the induction and seeks help from a congressman who promised to help him with any of his needs. When things don’t go as planned, Brandon has to make a choice between two undesirable options.

The writing/directing by Price, although commendable at times (especially during the battle scenes and use of a home video camera that makes the characters seem more personal), wanders too much with the plot getting the audience involved in several side stories that end with unrealistic resolve from the character build up presented.

The side stories are very touching, but somewhat idealistic, especially that of Rico Rodriguez (Rasuk) who gets maimed in the opening scene and later shows him in a stateside hospital with an unlikely attitude about his disability.

The acting by Gordon-Levit in his side story depicting the weak side of his character is very chilling. Letting alcohol control the demons that he acquired in battle, Burgess flips much like reports of some of the troops returning from Viet Nam. His story could have made a good separate feature film.

The character I enjoyed most was that of Ida King (Emond), who as Brandon’s mother will do anything to make sure her son gets what he desires most. In one scene, Ida, in fear that she will loose Brandon after finding out that he has to go back to Iraq, grabs him and tells him she’ll drive him to Mexico. It’s probably what would go through any mother’s mind after living in fear of his life all the years her son has been at war, but Emond expresses it best.

If you are into films like In The Valley of Elah where returning soldiers are haunted by the war in Iraq, or The Kingdom where the fight against terrorism involves being trapped in urban mid-eastern alleys defending themselves against an uncertain enemy that includes innocent bystanders, then Stop-Loss should be on your short list of films to see.

FINAL ANALYSIS: Stop-Loss has some very powerful moments, but for a date film it’s too violent and for mature male adults and teens it’s a little too rambling.

This Reviewer's Rating: 3 / 5





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