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Album: What's the Time Mr Wolf?
Artist: The Noisettes
Website: Official Website and MySpace
"Just scratch your name into the fabric of
this world before you go”. These lyrics,
delivered with an impassioned urgency by lead singer Shingai
Shoniwa, beautifully sum up the brand new album from UK based
indie-rockers, The Noisettes.
With anger, aggression and attitude to burn, What"s the Time Mr Wolf is a frenetic
collection of in-your-face music. It is the sound of youth, energy, and frustration. In a world of increasing complexity, violence and controversy, The
Noisettes provide us with the anthems of today; anthems of longing, change and
a zealous desire to make an impact on the world.
The Noisettes, consisting of Shingai
Shoniwa (vocals & bass), Dan Smith (guitar) and Jamie Morrison (drums), are
one of the most inventive and unconventional outfits to hit the music scene in
recent years. With a refreshingly uninhibited musical style and a vocalist with
a voice just as cool as her name, the group have won over fans with their
exciting, energetic tune. There are no rules, and no regrets; Shoniwa likens
the group’s style to a jumble sale, commenting “There’s no real theme. Words
are not my slave; sometimes it’s more about the way they sound, and the way you
execute a note with it.”
While aggression and attitude are central
to the band’s sound, they use their most effective elements sparingly. None of
the tracks are over the top—there is a balance, with excellent
use of light and shade in both instrumentals and Shoniwa’s vocals. For a trio
of so-called ‘bad-ass kids’, the musical (and particularly lyrical) maturity
displayed on the album is stunning. There is excellent awareness of when to
show lyrical and musical restraint, to heighten the impact of the choruses,
and when to go for broke.
Light and shade is what sets The Noisettes
apart from other indie groups. While all the tracks maintain their energy from
start to finish, the ability of Shoniwa to tailor her vocal delivery to suit
the shifting moods and themes results in a duality of sounds; the lightness and
longing of "The Count of Monte Christo" and "Bridge to Canada" on one hand, and
the tear-it-up, attitude-to-burn style of "Sister Rosetta (Capture the Spirit)"
on the other.
The group is well aware of the different
sides to their music; their first offering was even titled The Three Moods of
the Noisettes, highlighting the variety their albums inevitably deliver. The
result is an album that—emotionally and musically — continually contradicts
itself. “It’ll shake you by the shoulders and make you throw up,” says guitarist
Dan Smith, “then other times it’s really serene.”
Shoniwa echoes these
sentiments, “Sometimes I think that makes the best song. If you can sing about
something violent then I like the backdrop to not be violent, or if you sing
about something really mellow it’s good if the music is really sinister.”
The mix may be unconventional, and even
unprecedented, but it works well to produce a musical and emotional depth to
the album. There is so much more to What’s
the Time Mr Wolf than mere violence or anger.
The first single from the album — "Scratch
Your Name" — is perhaps the best song on the album (although, the tracks are of
such a high standard, it’s difficult to separate them). With slamming guitar
riffs, a foot-tapping beat and typically exquisite lyrics and vocals, the music
will have you up and dancing!
"Bridge to Canada" is one of the slowest
tracks, but no less effective. With lilting vocals and strong, flowing support
instruments, the depth and emotion make this track one of the best as well.
What’s the Time Mr Wolf is not music for the faint hearted, but it
is music for the masses, delivered with astute maturity and worldliness
by this impressive London outfit.
What more can I say? The Noisettes have
delivered a splendid album, with a rich and full sound. This is music that
demands attention, and it certainly deserves it. What’s the Time Mr Wolf has succeeded in scratching The Noisettes
into the world’s musical fabric, and they look set to continue reshaping the
music scene for some time to come.
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